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Teaching the Holocaust and other Genocides
 
Created in collaboration with the Holocaust & Human Rights Center, the NYS Education Department, and the NYS Archives Partnership Trust.

"The Hangman" By Maurice Ogden

Into our town the Hangman came,
Smelling of gold and blood and flame-
And he paced our bricks with a different air
And built his frame on the courthouse square.

The scaffold stood by the courthouse side,
Only as wide as the door was wide;
A frame as tall, or little more,
Than capping still of the courthouse door.

And we wondered, whenever we had the time,
Who the criminal, what the crime,
The Hangman judged with the yellow twist,
Of knotted hemp in his busy fist.

And innocent though we were, with dread
We passed those eyes of buckshot lead;
Till one cried:  “Hangman, who is he,
For whom you raise the gallows-tree?”

Then a twinkle grew in the buckshot eye,
And he gave us a riddle instead of reply:
“He who served me the best,” said he,
“Shall earn the rope on the gallows-tree.”

And he stepped down, and laid his hands
On a man who came from another land-
And we breathed again, for another’s grief
At the Hangman’s hand was our relief.

And the gallows-frame on the courthouse lawn
By tomorrow’s sun would be struck and gone,
So we gave him way, and no one spoke,
Out of respect for his Hangman’s cloak.

The next day’s sun looked mildly down
On roof and street in our quiet town
And, stark and black in the morning air
The gallows-tree on the courthouse square.

And the Hangman stood at his usual stand
With the yellow hemp in his busy hand; 
With his buckshot eye and jaw like a pike
And his air so knowing and businesslike.

And we cried “Hangman, have you not done,
Yesterday, with the alien one?”
Then we felt silent, and stood amazed:
“Oh, not for him was the gallows raised…”

He laughed a laugh as he looked at us:
“Did you think I’d gone to all this fuss
To hang one man?  That’s a thing I do
to stretch the rope when the rope is new.”

Then one cried “Murderer!”
One cried “Shame!”
And into our midst the hangman came
to that man’s place
“Do you hold,” said he,
With him that was meat for the gallows-tree?”

That night we saw with dread surprise
The Hangman’s scaffold had grown in size.
Fed by the blood beneath the chute
The gallows-tree taken root.

Now as wide, or little more,
Than the steps that led to the courthouse door,
As tall as the writing, or nearly as tall,
Halfway up on the courthouse door.

The third he took – we had all heard tell
Was a usurer and infidel,
And “What,” said the Hangman, “have you to do
With the gallows-bound, and he a Jew?”

And we cried out:  “Is this one he
Who has served you well and faithfully?”
The hangman smiled:  “It’s a clever scheme
To try the strength of the gallows-beam.”

The fourth man’s dark, accusing song
Had scratched our comfort hard and long;
And “What concern, he gave us back,
Have you for the doomed-the doomed and Black? “

The fifth.  The sixth.  And we cried again:
“Hangman, is this the man?”
“It’s a trick,” he said, that we Hangmen know
For easing the trap springs slow.

And so we ceased, and asked no more
As the Hangman tallied his bloody score;
And sun by sun and night by night,
The gallons grew to monstrous height.

The wings of scaffold opened wide
Till they covered the square from side to side:
And the monster cross-beam, looking down,
Cast its shadow across the town.

Then through the town the Hangman came
And called in the empty streets my name
And I looked at the gallows soaring tall
And thought:  “There is no one left at all

For hanging, and so he calls to me
To help pull down the gallows-tree.”
And I went out with right good hope
To the Hangman’s tree and the Hangman’s rope.

He smiled at me as I came down
To the courthouse square through the silent town,
And supple and stretched in his busy hand
Was the yellow twist of the hempen strand.

And he whistled his tune as he tried the
And it sprang down with a ready snap
And then a smile of awful command
He laid his hand upon my hand.

 “You tricked me, Hangman” I shouted then,
“That your scaffold was built for other men…
And I’m no henchmen of yours, I cried,

“You lied to me, Hangman, foully lied!”

Then a twinkle grew in the buckshot eye:
“Lied to you?  Tricked you? He said.  Not I.
For I answered straight and I told you true:
The scaffold was raised for none but you.

“For who has served more faithfully
Than you with your coward’s hope?” said he.
“And where are the others that might have stood
Side by side in the common good?”

“Dead,” I whispered:  and amiably
“Murdered,” the Hangman corrected me:
“First the alien, then the Jew…
I did no more than you let me do.”

Beneath the beam that blocked the sky,
None had stood so alone as I
And the Hangman strapped me, and no voice
there cried “Stay!” for me in the empty square.

Source

OgdenMaurice. “The HangmanFacing History and. Ourselves. Brookline, MA, 2017.pp. 407-410.

Discussion Questions

  1. What is the setting of the poem? How does it contribute to the overall mood of the poem?
  2. Who is the speaker in the poem, and how does he or she feel about the hangman's actions at the beginning of the poem?
  3. What does the hangman represent in the poem? How do his actions evolve throughout the story?
  4. How do the townspeople react to the hangman's work, and what does this reveal about human nature?
  5. What is the significance of the hangman’s silence and his methodical approach to his task?
  6. What role does fear play in the poem, both for the townspeople and for the individual who becomes the victim?
  7. How does The Hangman explore the theme of scapegoating or the consequences of targeting individuals to maintain order or power?
  8. What does the poem suggest about the idea of justice? Is it portrayed as impartial, or is it influenced by other forces such as power and prejudice?
  9. How does the poem address the idea of standing up for what is right in the face of injustice or brutality?
  10. What is the moral lesson of the poem, and how does it challenge the reader to think about their own societal roles or actions?
  11. At the end of the poem, the speaker seems to realize the true nature of the hangman. How do you interpret this realization?
  12. How might the poem be interpreted as a warning against the dangers of allowing one group or individual to wield unchecked power?
  13. How does the poem relate to Germany in the 1930s? To society today?
  14. How is the point Martin Niemöller makes similar to the one Ogden makes in “The Hangman?”